Encounter with The Fool
“Do I know you?” he said.
“I don’t know. You called me,” I said.
“Oh. What was I calling about?”
“I don’t know.”
“It must have been about clowning - or maybe about illustrations. Do either of those things ring a bell? I’ve probably got it written down here somewhere, but I’m terribly forgetful, and my desk is a mess, and I’m just getting ready to leave for Port Hardy to give a performance. Then I’ve got to go some other places on the Island, but I don’t remember where.”
“Uh, performance?” I said.
“I’m a clown. Are you a clown?”
“No, I’m a technical writer. I write software manuals.”
Looking back, I suspect that this was one of those proverbial moments freighted with the weight of an encounter with an archetype. The Fool is important: every society - religious, monarchical, 21st-century-urban-whatever - needs The Fool. The Fool asks the ridiculous questions that cause discomfort among the powerful. The Fool is not satirical - he’s crazy stupid, and wonders why the Emporor is naked - what’s up with that? The Fool is a proxy for the wisdom of innocence, protected by the guise (or reality) of insanity.
“Oh. I don’t really know anything about computers. I’m Max the Clown. Do you need a clown? Is that why you were calling?”
Sometimes I think The Gods (aka The Archetypes) fish for humans, dangling bait and shiny things in those dark pools where we lurk.
“I didn’t call you - you called me. ”
“Oh. Well, if I remember why I called, I’ll call you back and let you know.”
“Okay. Have a good trip.”
D.H. Lawrence and the snake at the watering trough:
“And so, I missed my chance with one of the lords
Of life.
And I have something to expiate;
A pettiness.”
